Belmond x LPO

2018

Brand

Belmond

Services

Content Strategy

Concept Development

Storytelling

Storyboarding

Videography

Photography

Objective

The mission for SUITCASE Creative Studio was clear: to craft an artistic and stylish film that transcended traditional concert recordings, capturing the essence of Belmond's exceptional locations. Annually, the London Philharmonic Orchestra graces selected Belmond hotels with their performances, treating guests to extraordinary musical experiences. Our creative direction encompassed producing and directing the central brand film and photography for the partnership between Belmond and the London Philharmonic Orchestra. This collaboration spanned two enchanting locations in Taormina, Sicily. The primary objectives were to encapsulate the very spirit of Belmond, align the narrative with Belmond's brand attributes, authentically showcase the properties, and cement Belmond as a curator of extraordinary travel experiences.

Result

In close collaboration with Brother Film Co, we translated the partnership's fundamental ethos of pairing exceptional music with exceptional locations into a captivating 60-second film. Our approach yielded a fresh, stylish, and artistic production that defied conventional expectations of concert and hotel videos. We maintained a high-end and contemporary feel while infusing vibrant colours by employing a two-man, semi-handheld RED camera setup devoid of the customary slow-motion effects. The incorporation of flashes and synchronised frames of authentic Super 8 film introduced an additional layer of cinematic texture and dynamism. We injected a touch of whimsy, akin to Wes Anderson's storytelling style, to further enhance the film's distinctive sense of artistry and sophistication.

CREATIVE
Sebastian Bland
Creative Director
Brother Film Co. Film Directors & Editors
Ed Scholfield Photographer

Editorial Design

I am incredibly fortunate to have joined the SUITCASE Magazine team shortly after the release of its first issue in 2012. My initial role was to lend a hand in crafting the design for Volume 02. Little did I know I'd still be part of this journey 11 years and 38 remarkable issues later. Over the years, SUITCASE has evolved significantly, and I'm proud to have played a central role in this transformation. Despite the magazine's cosy dimensions, beloved by our readers, crafting its editorial design posed several exciting challenges. Working closely with the Art Director, we would push the grid and analise each feature to make the most of our limited space, ensuring every article had the freedom to breathe while preserving its distinctive character.

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Issue Films

I oversaw post-production and occasionally provided on-location creative direction. My role, along with the Videographer and Art Director, involved refining video flow, pacing, soundtracks and narrative storytelling.

Art Direction

Naturally, we aspired to include a dedicated section within the magazine for showcasing products. To fulfil this objective, we meticulously curated segments such as '100mm' and 'What to Pack,' seamlessly integrating product imagery into our editorial. Collaborating closely with the Photographer and Set Designer, I artfully orchestrated these segments to align with each issue's unique themes and content intricacies. This collaboration ensured that the featured products captivated the audience and harmoniously blended into visually compelling narratives.

Photography: Mitch Payne
Set Design: Maya Linhares-Marx
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Marketing

At SUITCASE Magazine, my role in Marketing centred on elevating online engagement and generating magazine subscriptions. This encompassed crafting a comprehensive marketing calendar with multi-channel campaigns, from newsletters to social media and display banners. Working closely with the E-Commerce and Marketing Manager, I orchestrated the creation of assets, ensuring designs aligned with each campaign's objective. Our combined efforts yielded impressive results, with a surge in online visitors and a tangible uptick in magazine subscription sales. Collaborative campaigns systematically fostered engagement across digital platforms. Notably, our data-driven approach informed future campaigns by analysing performance trends, click-through rates and user interactions, enabling the delivery of resonant, targeted content. This iterative process solidified SUITCASE Magazine's online presence, underscored our dedication to tailored strategies and reinforced our commitment to impactful marketing efforts.

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My involvement in the MySwitzerland project was comprehensive, with a particular focus on the print element. This encompassed everything from conceptualisation to the coordination of freelance illustrators and photographers, culminating in the final artwork for print. To optimise the print component, we structured it into three sections, designed to seamlessly merge into a single, cohesive product or function independently.

01. Magazine

In the realm of the magazine, a pivotal facet of our 360-degree collaboration was MySwitzerland sponsoring SUITCASE's inaugural illustrated cover. The challenge lay in ensuring it stood out while maintaining the magazine's recognisable clean style. SUITCASE, renowned for its storytelling and captivating photography, themed this issue around 'Craft,' delving into the globe's art, culture, and heritage. Consequently, we sought to align the cover and article with elements of design, craftsmanship, travel, and Switzerland. The central focus was on Switzerland's iconic mountain refuge, The Monte Rosa, a modern angular reflective building contrasting beautifully against the epic backdrop of rough rocks and mountains, a weaving glacier, and the iconic Matterhorn. The article delved into the stories behind these mountain huts, whether traditionally crafted or contemporary, underscoring their significance in the Craft issue.

This creative journey led us to explore diverse illustration styles, ultimately selecting a hyperreal illustration style that seamlessly integrated with SUITCASE's signature cover style. Collaborating with Swiss illustrators Anita Dettwiler and Dani Pelagatti from Bunterhund Illustration and Nina Schwarz, we meticulously crafted our vision, encapsulated in a comprehensive brief and timeline. This close collaboration yielded the final front cover, two additional internal illustrations and all artwork also needed for the Supplement and Sleeve, further enriching the Craft issue's visual narrative. To gain more insights into the creative process, you can delve into SUITCASE's interview with Anita and Nina here.

02. Supplement

Complementing the magazine was an 80-page print supplement titled "A Creative's Guide to Switzerland," housed within the sleeve alongside the magazine. This supplement included city guides, a Swiss wine guide, and travel information. While it was designed to stand alone, it also established a connection with the magazine and sleeve, maintaining visual consistency through the use of the same illustrators.

03. Sleeve

The outside sleeve design embodied the essence of Swiss alpine summer in a wallpaper like pattern, featuring artwork crafted by the same Swiss illustrators commissioned for the project. The inside of the sleeve embraced the 'Craft' theme, mimicking a designer's sketchbook adorned with architectural drawings of the featured hut from the magazine cover, artist notes, and wildflower sketches.

Newsstand takeover

As a commitment to our partnership with Switzerland Tourism, we organised three newsstand takeovers across London. At Magculture, Shreej and Kuro, we saw Vol. 37: Craft take centre stage with prominent window placements, banners and social media amplification. The takeover was so successful that all three independent newsagents extended the campaigns.

Award Winning

SUITCASE Magazine Vol. 37 Craft won 

Consumer Publication of the Year - Print
Travel Media Awards 2022

Bespoke Sleeve

SUITCASE Magazine used an inventive approach to showcase Krug's brand and its 2020 campaign to our readers. The magazine's print platform merged the identities of the two brands seamlessly. To give the readers an immersive experience, a unique sleeve was designed for the magazine and Krug's book titled "I got a peeling". The sleeve was crafted with layered aesthetics that mirrored onion folds. It had embossed, die-cut, foil-pressed details and was finished with a soft-touch laminate and spot-UV. This elevated Krug's presentation and provided a tactile experience to the readers. Additionally, the sleeve had a placeholder for event invitations or limited-edition prints, which enhanced reader engagement.

Advertorial

Chef and Krug ambassador Theo Clench's gastronomic journey from producer to plate found expression through an enlightening advertorial. Online, Theo imparted his culinary insights, enriching the Krug narrative. You can read the article here.

Podcast artwork

A distinctive podcast episode, "The Upgrade x Krug", united SUITCASE Magazine and Krug Champagne. Co-hosts India Dowley and Fleur Rollet-Manus handed their mics to culinary luminary Michael O'Hare and Mark Sansom, discussing the future of fine dining and luxury. The episode's visual identity, creatively captured by Joe McKendry, encapsulated the essence of the conversation and the Krug brand.

Behind the scenes

Ed Scholfield served as the official photographer for this project. During our time on location, my responsibilities extended beyond management and direction; I also assumed the role of the official team driver and captured my own behind-the-scenes images.

See more photography

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